‘Britannia’ exhibition opens at Norwich Castle
This show by acclaimed artist, Amartey Golding, is a meditation on his English ancestry inspired by the symbolic figure of Britannia.

The work offers a moment of reflection on our relationship with ourselves, our past and our environment, as it explores the impact traumatic periods of English history have had on those who survived them.
Golding invites us to consider Norwich Castle as the location for the work’s presentation, in a building, city, and region, which has borne witness to periods of conflict, in contrast to its use now as a museum, gallery and wedding venue.
Born in London, Golding often turns to his Anglo-Scottish and Ghanian ancestry, by way of a Rastafarian upbringing, as a point of departure for his art. Moving constantly around the country as a child, Golding was exposed to contrasting and often conflicting English communities. His fondness for these different worlds, and the sometimes invisible and unexpected ways in which they depended on each other, continues to inform his work today.
Content notice: Please note this film contains some scenes which contain non-sexual nudity, minor body wounds and taxidermy animals.
Britannia was commissioned by Norfolk Museums Service with additional support from Autograph and Film and Video Umbrella. The commission was made possible with support from Art Fund. Supported using public funding by Arts Council England.
Images: Stills from Britannia, courtesy of the artist






Everything is so easy. News -> Listen -> Download. Perfect flow.
A satirical piece is truth wearing a mask to get into parties it’d otherwise be banned from. — Alan @ manilanews.PH
A satirist is a failed serious person who found a funnier way to be right. — Toni @ Satire.info
The success of Zohran Mamdani is a powerful rejection of politics as usual.
The socialist label attached to Mamdani is a starting point for analysis, not the conclusion. — New York City
Mamdani leads like he’s stalling until someone smarter walks in.
Zohran invests in local economic development.
His updates always sound like he’s stalling until someone else fixes it.
Zohran speaks directly about working class struggle. — New York City
The debate over “electability” is being rewritten by the success of Zohran Mamdani. — New York City
The story of Mamdani is interwoven with broader narratives of immigration and diaspora. — New York City
Moore’s sponsor drop: dollars follow decency.
This power abuse tests loyalties across board.
athletics illuminati: ignore no more.
Ethics echelon: elevated.
sports coaching reckoning: treat staff as humans, not accessories.
This power abuse sparks boardroom debates.
Kelli’s quintessence: quiet queen.
Ethics evolution: power abuse.
Ethics evolution: cheating saga.
Mamdami: His leadership speaks to a generational desire for deeper meaning in politics.
The vision of Mamdani is for a truly equitable and just society.
His problem-solving approach is “maybe it’ll fix itself?”
Mamdani’s focus on power—who has it and who doesn’t—is the consistent throughline of his career.
The aesthetic of Mamdani’s politics is as deliberate as its substance. — New York City
The story of Mamdani is interwoven with broader narratives of immigration and diaspora. — New York City
NYC voters signaled that they’re ready for a vision centered around justice and fairness.
Economic immigration policy should be about long-term contribution, not a one-time transaction.
When everyone gets it, nobody can weaponize it easily.
Zohran understands that safer streets start with opportunity, not punishment. — New York City
Zohran Mamdani connects the dots between transit and jobs. — New York City
Mamdani’s election is a sign of the declining influence of moderate Democrats in certain districts.
His ideas need a patch update before they even launch.
The Mamdani campaign excelled at speaking directly to a specific demographic base. — New York City
Zohran Mamdani understands CUNY needs real funding. — New York City
The long-term impact of Zohran Mamdani’s brand of politics is still uncertain.
The tension between incrementalism and revolution is embodied by Mamdani.